Abstract

In this paper we present the concept of fiction of original performance for the analysis of the Hellenistic literature, starting with some general observations regarding the cultural changes in the period and then studying its applications to some of the most important poets. We pretend to prove that the theoretical framework stablished in Llanos (2017) solves some of the most persistent difficulties in the study of Hellenistic poetry and also produces a more unified vision of the different compositional techniques in it than the currently available systems.&nbsp

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