Abstract

Abstract Passive acoustic telemetry provides the opportunity to monitor and contextualize the movements of diverse aquatic animals. Despite depth being an essential dimension along which many processes are organized, the Eulerian structure of the acoustic telemetry data (movements perceived from fixed locations) and the consequences of sound propagation in water hinders the incorporation of the vertical dimension into animal’s space use analyses. Here, we propose a new data‐driven quantitative method to estimate 3D space use from telemetry networks. The methodology is based on simulating large numbers of stochastic synthetic paths, accommodating the detection probability around receivers and the depth information from transmitters and integrating the local topography. The methodological protocol is explained in detail and tested with acoustic telemetry data from the common dentex Dentex dentex in a Mediterranean marine protected area. We present 3D space use estimations for the tagged individuals and compare them with other 3D and 2D estimations derived with existing probabilistic methods. 3D space use estimations that incorporate topography provided a more comprehensive view of the movement ecology of tracked individuals, with relevant pieces being missed by 2D representations. Our method generated realistic representations of the actual spatial co‐occurrence of individuals, including the spatio‐temporal identification of relevant aggregation areas.

Highlights

  • Animal movement has been traditionally studied in a two-dimensional (2D) domain, often omitting the vertical dimension, which is essential for the activity of many organisms

  • The relevance of the vertical dimension is especially conspicuous in aquatic environments, where almost every environmental factor varies with depth, generating sharp ecological gradients that affect species distribution and the potential space use of mobile organisms (Kitagawa et al, 2000; Aspillaga et al, 2017)

  • Animals tagged with acoustic transmitters are monitored by a network of receivers placed at fixed locations in the study area (Heupel, Semmens, & Hobday, 2006), and movement is perceived in an Eulerian mode as presences, absences, or transitions between discrete locations

Read more

Summary

Introduction

Animal movement has been traditionally studied in a two-dimensional (2D) domain, often omitting the vertical dimension, which is essential for the activity of many organisms (e.g. aquatic, flying, arboreal, or burrowing; Belant, Millspaugh, Martin, &Gitzen, 2012). Animal movement has been traditionally studied in a two-dimensional (2D) domain, often omitting the vertical dimension, which is essential for the activity of many organisms The relevance of the vertical dimension is especially conspicuous in aquatic environments, where almost every environmental factor varies with depth, generating sharp ecological gradients that affect species distribution and the potential space use of mobile organisms (Kitagawa et al, 2000; Aspillaga et al, 2017). Animals tagged with acoustic transmitters are monitored by a network of receivers placed at fixed locations in the study area (Heupel, Semmens, & Hobday, 2006), and movement is perceived in an Eulerian mode as presences, absences, or transitions between discrete locations. The uncertainty regarding the position of tagged animals is usually large (hundreds of meters), as it depends on the distance at which acoustic signals are detectable (i.e. the detection range)

Methods
Results
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.