Abstract
The objective of the article is to outline the correlations between the usage of the elements of the absurdist aesthetics, different artistic paradoxes and methods of modelling the fictional consciousness of personage. The aim of research is to define internal and external dimensions of personage’s fictional consciousness construction with the help of the cognitive literary studies methodology. The methodology of cognitive literary criticism is the basis for the analysis of modelling principles, applied in the research of personage’s fictional consciousness in I. Kostetskyi’s play “The Twins Will Meet Again”. Thus, the study of the play is based on actualization of cognitive phenomena and establishing their correlations with forms of artistic reflection. The cognitive method is used to determine the theoretical foundations of the functioning of the character’s fictional consciousness in the dramatic work. The poetics of the absurd in a drama defines agglutinative forms of reflection of the personages’ fictional consciousness.
Highlights
IntroductionKostetskyi’s dramatic works, which represent a complex, multifaceted phenomenon that accumulates various stylistic features (from expressionism to surrealism), absorbs multidimensional artistic phenomena (paradox, absurdity), attracts the attention of many literary critics
Kostetskyi’s dramatic works, which represent a complex, multifaceted phenomenon that accumulates various stylistic features, absorbs multidimensional artistic phenomena, attracts the attention of many literary critics
The study of the problem of modelling the personage’s fictional consciousness is carried out on the basis of the following theoretical principles: the consciousness of the personage is constructed by taking into account the fundamental patterns of the consciousness functioning; these patterns are modified in accordance with the peculiarities of the embodiment of the fictional consciousness of the personage within the artistic reality; correlations of the personage’s fictional consciousness and the consciousness of the author are determined by the basic schemes of http:// www.amazoniainvestiga.info functioning of the personage’s consciousness, which are created by the author; the fictional consciousness of the personage is created by multilevel artistic virtualization, which is determined by the boundaries of fictional reality, formed as a result of the action of the author’s consciousness
Summary
Kostetskyi’s dramatic works, which represent a complex, multifaceted phenomenon that accumulates various stylistic features (from expressionism to surrealism), absorbs multidimensional artistic phenomena (paradox, absurdity), attracts the attention of many literary critics. Www.amazoniainvestiga.info drama; Barabash (2018), Zaleska Onyshkevych (1997) has analyzed his work in the context of modernism; Batsevich (2017), Kovaliv (2010), Lyubenko (2005), Matvienko (2001) has identified the experimental levels in the playwright’s work, etc. A playwright’s dramaturgy represents the comprehension of new art forms that contribute to the semantic and artistic complication of plays, the transformation of their content, the rethinking of the role and significance of the structural components of drama. The writer identified the horizons of the development of Ukrainian drama in the new ideological and artistic coordinates.
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