Abstract

There are many various materials suitable for the creation of sculptural nudes, but they are almost identical to those used to create a sculptural portrait. Among them, there is clay, stone (from limestone and granite to marble and some semi-precious stones), metals (bronze, aluminum, silver, gold), wood (of various types), wax (as a preliminary material), plasticine (which is also used for sketches) and gypsum (intended for casting works). Plastic techniques, as well as modeling ones, expand the range of interpretation of nude with the assistance of sculptural language elements and original compositional solutions. Thus, modeling techniques, in all their diversity, represent the wide scope and freedom of creativity that sculptors use to validate their ideas and artistic concepts. Plastic techniques and anatomical structures are of great importance, which, together, give originality to the works. Regardless of the period, in which the sculptors created, and of their stylistic preferences, they advocated a complex dialogue with the audience, in which the methods of modeling the material, or, in other words, the expression of the external form in the sculptural nude was a very important one.

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