Abstract
This article explores the parallels between the narrative tropes of Moby-Dick and the conduct of the Mexican War of 1846–48. Drawing on the theories of Austin and Butler, the article develops an account of the performative speech acts deployed by President James K. Polk in order to secure Congressional support for the war, and the rhetorical power exercised by Ahab on the Pequod. It also examines in detail Melville’s use of the Biblical figures of King Ahab and Belshazzar, showing how the novel turns the Biblical-republican typology used in the American Revolution against the British to indict America’s own practice of imperialism. The article concludes by reflecting on both the vision of perpetual war which Melville presents as the consequence of Polk’s assumption of imperial power, and the parallels between Polk’s prosecution of the war with Mexico and the US invasion of Iraq.
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