Abstract
The mobility of protest artifacts: The Guy Fawkes mask in the cycle of contestation in the years 2008–2017The aim of the article is to present the process of protest artifacts’ mobility using the example of the social biography of Guy Fawkes’ mask. The applied theoretical approach is based on a three-element concept of the social biography of the artifact which includes transformations in the field of cultural practices what is done with an object, industrialization of an object how and by whom it is made, and the change and acquisition of new meanings by the given artifact in which cultural contexts it is located. The example of the Guy Fawkes mask, as well as masking policy in general, is considered in the context of protests against ACTA in Poland and the other events in the world from the 2008–2017 contestation cycle. The mask leads its own social life, being active and mobile, both in the spaces in which it occurs, social groups that use it and what they do with it, and the forms that it takes.
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