Mixed Metaphors: Dynamic Modernities in Southeastern North America

Abstract

The concept of modernity has played an essential role in the development of anthropological archaeology. Providing the philosophical foundation upon which both culture historical and processual archaeologies were constructed, the application of theories based in modernism has led to the persistence of essentialist notions concerning the archaeological records of both Western and non-Western peoples. Examining archaeological materials from the Muskogee Creek peoples of interior Southeastern North America, I contend that previous conceptualizations of modernity lack sufficient nuance to adequately address the diversity of cultural practices among the post-contact Creeks (circa A.D. 1550–1830). Rather than the dichotomous perspective of Western moderns and indigenous primitives that predominates, recent archaeological research in Southeastern North America reveals a cultural milieu in which dynamic, contested modernities were created by both the colonizers and the colonized.