Mito classico e intertestualità neiSonetti e Poemi di C. Roccatagliata Ceccardi

Abstract

Ceccardi's classical world is not an additional feature to adorn the experimental symbolism of his first work, but the pattern by which he voices now his tendencial attitude of great separateness from the past. Two young mythical boys, Endymion and Ganymede, both visualize his deceived aspiration to link himself again with the classical past as idea of the Absolute. Some poems (and particularly the three entitled “Frammento classico”) reveal not only the accomplished reading of Latin writers, but also a particular tendency towards intertextual assemblage.