Abstract

Reviewed by: Ministers of a New Medium: Broadcasting Theology in the Radio Ministries of Fulton J. Sheen and Walter A. Maier by Kirk D. Farney Kathryn M. Galchutt Ministers of a New Medium: Broadcasting Theology in the Radio Ministries of Fulton J. Sheen and Walter A. Maier. By Kirk D. Farney. Downers Grove, Illinois: InterVarsity Press, 2022. 345 pp. In our multi-media saturated times, it is difficult to imagine the singular importance of radio during its golden age, from the 1920s to the 1950s. During that era before television, the essayist E. B. White described radio as having a "godlike presence" in homes across America. In his book Kirk Farney notes that radio had a range of qualities, from intimate to communal, from democratic to authoritative. Yet Farney's study is less concerned with the medium of radio and more concerned with the impact of two men and the messages they spoke to millions during the 1930s and 1940s. The Lutheran pastor Walter A. Maier (1893–1950) and the Roman Catholic priest Fulton J. Sheen (1895–1979) were two of the most popular and prominent broadcasters during radio's golden age. Both men came from religious backgrounds that were considered on the periphery of mainstream American Protestant religion. Maier came from a German-American Lutheran background and was a member of the Lutheran Church—Missouri Synod, a synod which some saw as an ethnic and theological enclave. Sheen came from a primarily Irish-American Catholic background and sought to counter the historic anti-Catholicism in American society. Farney explains how Maier and Sheen preached messages rooted in their own religious traditions, yet succeeded in appealing to wider audiences. Both men "combined a traditional theological conservatism with an equally traditional American idealism" (133). Maier and Sheen took to the airwaves after the Modernist and Fundamentalist debates of the 1920s. Both men were vocal critics of modernist [End Page 191] theology. They preached messages of traditional Christian theology, putting a strong emphasis on the doctrines of the atonement, sin, and grace. Given the well-known antagonism between Protestants and Catholics, it is remarkable that the Protestant Maier and the Catholic Sheen asserted such similar teachings about the foundations for faith and life (160). Maier and Sheen also made connections with the difficult times in which they were living, commenting on the economic challenges of the Great Depression, the conflicts and controversies of World War II, and the threat of communism. Both were careful to avoid partisan politics. But they reflected a spirit of American patriotism while also calling on Americans to repent and to avoid a stance of national self-righteousness. Farney notes that Maier and Sheen were critical of racial and ethnic discrimination in America and urged the church to recognize the equality of all people before God (257). Farney could have done more to explain the significance of their stances in the context of American race relations in the 1930s and 1940s. Both men reached out to many beyond their respective religious communities. Farney describes how Sheen received considerable attention for the prominent converts to Catholicism whom he reached, including Henry Ford II and the American Communist Party leader Louis Budenz. Besides the famous, Sheen also reached "the obscure … of all races and incomes" (297). Farney describes Maier's contacts with political, military, and cultural leaders, but did not mention specific converts. More could be done to examine those who made a commitment to Lutheranism because of Maier's "The Lutheran Hour." Among these are Mary Banta, who contributed to the development of True Light Lutheran Church, a Chinese-American congregation in Manhattan and Chris McNair, who lost his daughter Denise in the Klan bombing of Sixteenth Street Baptist Church in Birmingham in 1963. Exploring the international impact of the "Catholic Hour" and "The Lutheran Hour" is another potential area of future research. Farney has written a very significant study of two of the most important radio preachers in American history, examining the similar ministries of a Lutheran pastor and Catholic priest. The parallels ended when Maier died relatively early of a massive heart attack [End Page 192] in 1950 and Sheen transitioned to even greater fame with a...

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