Abstract

What happens to a mining town when the mine closes? This paper explores this question through a study of the Britannia copper mine in British Columbia (BC), Canada. Having operated almost continuously since 1905, the Britannia mine shut its doors in 1974. In the years after it closed, the Britannia mine survived through its reinvention as a museum and heritage site. This paper tells the story of that reinvention. Focusing on the work of a small but determined group of people, the Britannia Beach Historical Society (BBHS), it details the transformation of the Britannia mine from an industrial landscape into ‘Canada’s largest museum artefact’ and a national historic site. However, more than a historical account of the development of a mining museum and heritage economy, this paper is also concerned with the ways in which such acts of commemoration and memorialisation constituted particular spatial histories. Highlighting the importance of the materiality of place within these spatial histories, it shows how the BBHS’s narratives of BC history, and mining’s place within it, were grounded in, negotiated through, and eventually undermined by the shifting material traces of mining at Britannia.

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