Mind the Gap: The Tempo Rubato of Dwelling in Lineups

Abstract

Despite their prominence in everyday life lineups are of peripheral concern to mobility scholars. Aiming to contribute to our existing knowledge on lineups and the transitory places of everyday life writ large, this paper attempts investigates lineups at small island ferry terminals. Drawing upon fieldwork including travel to, on and from ferry boats, for a total of about 250 journeys over three years, and about 400 qualitative interviews, this mobile ethnography focuses on practices of ferry mobility in coastal British Columbia. Lineups are portrayed as complex orchestrations of rest and movement weaved through relational performances of mobility and relative immobility. As neither a place in the sedentarist nor nomadic sense, lineups defeat facile, dichotomous conceptualizations of spatialities and temporalities. Neither still nor flowing, neither public nor private, lineups are animated by idiosyncratic practices of dwelling whereby multiple and unique forms of livelihood are performed. Ferry lineups are ephemeral moorings: places where communities form and dissolve in temporary zones, as if suspended from the regular rhythms of the rest of the day and the week. On small islands lineups exist as stolen time‐spaces – an original concept that draws inspiration from the musical idea of tempo rubato and from Michel de Certeau’s (1984) treatment of tactics.