Abstract

Acknowledgments Introduction 1. Epistemology, Metaphysics, and Rhetoric: Contexts of ImaginationAristotle, Phantasia, and the Problem of Epistemology Plato, the Neoplatonists, and the Vagaries of the Sublunar WorldPhantasia and Ecstatic Knowledge More Skillful Artist than Imitation 2. Dreams, Doubts, and Evil Demons: Descartes and ImaginationMeditatio Prima: Certainty, the Cogito, and ImaginationImagination in the RulesMeditatio Secunda: The World of the CogitoDescartes, Montaigne, and Pascal Analogies and EnthusiasmExcogitations: Fabulating the Cogito 3. The Reasonable Imagination: Immanuel Kant's Critical PhilosophyImagination in the Limits of Pure Reason Dreamers and Madmen: Imagination in AnthropologyNatural Art and Sublime Madness: Imagination in the Critique of Judgment 4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian System The Logics of Positing: Intellectual Intuition and the Absolute Subject Ecstasy, Inspired Communication, and Philosophical Genius Light, Dusk, and Darkness: The Reconciliation of OppositesThe Metaphysics of Oscillation and the Truth of Imagination Reason's Fixations: Arresting Imagination 5. A System without Foundations: Poetic Subjectivity in Friedrich von Hardenberg's Ordo InversusA System without Foundations Fantasy and the Body 6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge of Imagination Divine Imagination The Abyss of the Empirical Self Coda: Imagining Ideology Conclusions Notes Bibliography Index

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