Abstract

This essay reads Milton’s Eden as a critical appropriation of Spenser’s image of the mutable world. It argues that Edenic work epitomizes Milton’s engagement with Spenser’s poetry as a site of creative origins and reveals these poets’ common vision of poetry’s virtues as inseparable from individual experiences of freely interpreting images of creation. Linking Spenserian quest’s redemptive labor with the first parents’ work in Eden, it argues that Spenser bequeaths to Milton’s poetry a broadly georgic ethos in which virtue is discovered not in our encounters with transcendent forms but rather in our movements through the postlapsarian world.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.