Abstract
Two of the dominant motives in pastoral literature are the “come-live-with-me” theme, which offers to the loved one as inducements gifts generally of a pastoral nature, and the ideal of the “golden age,” which is based upon a personal desire for a patterned idyllic life. The former has been carefully traced by R. S. Forsythe, but the latter has lain neglected in spite of the fact that two of the best known lyrics in the language, Milton's L'Allegro and Il Penseroso, utilize this theme. It is the purpose of this paper to demonstrate that the description of the ideal day is a significant and deeply rooted theme which developed gradually during the whole course of the pastoral tradition. Milton's two days derive from this evolution rather than from a few scattered lyrics which immediately preceded his work, as is generally stated.
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