Abstract

Although the question of genre has puzzled critics of Paradise Regained, the poem's structure, style, and spirit, as well as much of its imagery, are georgic. Like Vergil, Milton emphasizes incessant labor, constructive as opposed to destructive heroism, and quiet effort to build a flourishing civilization. In the Georgics as in the Bible, the right response to the curse of labor transforms it into a blessing. While epic glorifies war, georgic celebrates the arts of peace. In Paradise Lost, Adam and Eve enjoy a pastoral paradise of ease until they fall; then they and their descendants must earn their bread in a hard georgic world. In Paradise Regained, Satan variously attempts to pervert the generic mode of the Son's heroism. After a laborious struggle, the Son confirms himself in the role anticipated by Milton's opening metaphor: he raises a georgic garden in the world's “wast Wilderness.”

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