Military cosmopolitanism and romantic indigeneity: Crafting claims to statehood in Kiran Desai’s The Inheritance of Loss and Easterine Kire’s Bitter Wormwood

Abstract

The world wars definitively changed the relations with the state of the peoples of India’s northeastern frontier. The wars were both fought on their terrain (with the invasion of the Japanese army) and led to the recruitment of people from the region to serve in the British Army. The contemporary Anglophone Indian novel documents the lingering effects of this militarization in the many insurgencies that have fragmented the region in the postcolonial era. Kiran Desai’s The Inheritance of Loss (2006) depicts the Gorkhaland uprising of the 1980s in the Kalimpong district of West Bengal, which demanded a separate state, while Easterine Kire’s Bitter Wormwood (2011) describes the Naga peoples’ traditional way of life against the backdrop of attempts to declare independence from the Indian state. In this article I argue that these novels capture how these secessionist movements use the experience of the world wars to craft a political identity based on military brotherhood to claim independence from the Indian state. These movements thus undertake a complex reworking of the valences of the figure of the “soldier”, central to so many accounts of national integrity. At the same time, reproducing the nationalist logic of the Indian state, these novels more readily recognize an “indigenous” identity based on a claim to the land as the political basis of nationhood. Hence, these novels about secessionist struggles reveal how certain narratives of nation formation become the only legitimate means for making claims for political rights and independent statehood over the course of the twentieth century.