Abstract
The prehistory of the new Duomo constructed instead of the old Cathedral of Santa Maria Maggiore (winter cathedral) and the Basilica of Santa Tecla (summer cathedral) remains a matter of debate. For a long time historiography attributes the main role in the renovation of the Duomo to the first Duke of Milan, Giangaleazzo Visconti. The first attempts to reassess the contribution of Giangaleazzo to the founding of the cathedral met with radical rejection. The question of the origin of the project itself (whether it was developed by Lombard or foreign engineers), as well as whether it has undergone changes in the initial phases of construction and what this may be due to, remains controversial. The article presents an analysis of the latest historiography on the theme.
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