Abstract

The publication of the sonnets included in El rayo que no cesa revealed that Miguel Hernandez had learned to build the sonnets from the classics of our Golden Age, and among them, perhaps more than anyone else, Lope de Vega, to whom Hernanez remained faithful in those same years in his plays Los hijos de la piedra and El labrador de mas aire . With El rayo que no cesa Hernandez achieved, however, a certain independence and originality, as the book revitalized a classical structure and obtained excellent results in every single poem in this collection published in 1936, after the celebrations of Lope’s centennial in 1935.

Highlights

  • The publication of the sonnets included in El rayo que no cesa revealed that Miguel Hernández had learned to build the sonnets from the classics of our Golden Age, and among them, perhaps more than anyone else, Lope de Vega, to whom Hernánez remained faithful in those same years in his plays Los hijos de la piedra and El labrador de más aire

  • En la estructura interna del soneto vuelve a estar presente Lope de Vega, advertible sobre todo en la imitación el primer cuarteto de este soneto VII de Rimas humanas, presente en La pastoral de Jacinto, y desde luego recogido también por Montesinos [1925:119]: Estos los cauces son y esta la fuente, los montes estos y esta la ribera donde vi de mi sol la vez primera los bellos ojos, la serena frente

  • En el soneto de Lope, por el contrario, serán los pronombres demostrativos los que marquen con su reiteración el ritmo interno del poema, pero en este caso coincide Miguel Hernández con él en que los pronombres sirven para evocar unos espacios que son recuerdos de otro tiempo, escenarios que en el presente el poeta los encuentra totalmente mudados

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Summary

Introduction

The publication of the sonnets included in El rayo que no cesa revealed that Miguel Hernández had learned to build the sonnets from the classics of our Golden Age, and among them, perhaps more than anyone else, Lope de Vega, to whom Hernánez remained faithful in those same years in his plays Los hijos de la piedra and El labrador de más aire.

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