Abstract
In 2017–18, the Chinese artist Ai Weiwei created a special installation addressing the refugee crisis in Prague. ‘Law of the Journey’ consisted of an enormous black inflatable raft, crowded with inflatable rubber people wearing lifejackets. Their human forms were clear, but they lacked faces. The raft hung from the ceiling at an angle, casting a dark shadow over a list of quotations from thinkers and writers, beginning and ending with two locals: Franz Kafka and Václav Havel. A few isolated rubber tubes floated on the concrete floor next to the raft, with rubber humans reaching out to be saved. The exhibit conveyed both the desperation of the migrants and the inadequacy of the response.
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