Abstract

Rock-art research offers to archaeology a problem-oriented approach. A case study is presented on the interpretation of rock-art from informed ethnographic and formal archaeological perspectives regarding the origins of the Midewiwin, or ‘Grand Medicine Society’. The evidence is twofold. First, some of the rock-paintings that are found over a wide range of the southern Canadian Shield appear to be representative of the Midewiwin. Second, the most probable age estimation of those rock-paintings indicates that the antiquity of Midewiwin is greater than generally presumed by the key anthropological reference literature of the region. Rather than a relatively recent ‘revitalization movement’, the origins of the Midewiwin began in remote antiquity. Broad theoretical and methodological issues of cognitive archaeology and the crisis of representation are addressed, particularly classification, colonialism and cultural linguistics.

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