Abstract
This paper investigates the representation of micro-narratives in contemporary Chinese art by examining the multi-layered narratives in Cao Fei's Pearl River Delta Anti-heroes performed at the opening of the 2nd Guangzhou Triennial in 2005. I consider Cao's work as a hyper-realistic portrayal of the micro-narratives of the Pearl River Delta region in a mediated form highly influenced by the media, entertainment industry and popular culture of the region and Hong Kong. Theatricality, kitsch and the distinctive local essence of South China are revealed in the form of a TV soap opera and the use of colloquial Cantonese throughout the performance, along with occasional Putonghua or Mandarin. Language as a signifier of cultural politics has been deployed as an indispensable tool to empower the region within the broader body politic of the People's Republic of China.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
