Abstract
The management of the coronavirus crisis of 2020 required immediate and top-down decisions, which contradicts the bottom-up philosophy of the non-curated Festival OFF d’Avignon. As a consequence, the loose organizational structure risked breaking apart and every theatre director acted autonomously by either cancelling the scheduled programme, creating online alternatives, or organising independent micro-festivals. The events of 2020 demonstrate that the non-curated festival is composed of multiple independent theatres following their own artistic orientation and business model. The OFF d’Avignon is, in fact, a festival of festivals.
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