Michael Wolff über Kant als Logiker. Eine Stellungnahme zu Wolffs Metakritik

Abstract

In an earlier article (see J Gen Philos Sci (2009) 40: 357–372) I have discussed the arguments brought forward by Michael Wolff against the interpretation given in the commentary by Ebert and Nortmann on Aristotle’s syllogistic theory (Aristoteles Analytica Priora Buch I, ubersetzt und erlautert von Theodor Ebert und Ulrich Nortmann. Berlin 2007) and against the critique of Kant’s adaption of the syllogistic logic. I have dealt with Wolff’s arguments concerning (Ebert/Nortmann’s interpretation of) Aristotle in the paper mentioned and with his attempts to defend his critique in this subsequent article (part 1; see J Gen Phils Sci (2010) 41: 215–231). Part 2 (the paper below) is concerned with Wolff’s renewed attempts to defend Kant as a logician. In particular I point out that if, as Wolff claims, the nota notae relation in Kant is restricted to subordinated concepts, then it can hardly serve as a principle for syllogistic logic, as Kant claims. Against Wolff’s attempts to defend Kant’s claim that o-propositions are simpliciter convertible, I point out two arguments: (1) Even if Kant, following the Vernunftlehre by Meier, has assumed that an o-proposition can be turned into an i-proposition, this conversion is useless for the reduction to first figure syllogisms since we are no longer dealing with three syllogistic terms but with four. (2) It is quite unlikely that Kant has a conversion of this type in mind since the texts of his students always talk of the group of either the particular propositions or else of the negative propositions. Given Kant’s mistakes concerning the convertibility simpliciter of o-propositions, it is no wonder that he overlooks the special status of the moods Baroco and Bocardo. Wolff’s attempts to provide Kant with what he claims are direct proofs for these moods can be shown to rely on a reductio ad impossibile. Kant mistook what are parts of the proofs for the validity of moods in figures two to four as parts of these moods themselves. Wolff—who tries to defend Kant on this point—is forced to an artificial and unconvincing reading of the Kantian texts.