Abstract

This essay intends to investigate interpretations and rewritings of Sofocle’s Antigone in the second half of 20th Century from a gender perspective. In particular, it analyses four thematic features departing from Sofocle’s text and aims to a progressive inclusion of gender issues into a queer point of view: the unburied dead, the conflict between Antigone and Creon, women’s ‘philia’ on stage, Antigone as a ‘metoikos’ with fluid identity. It examines works of female authors and scholars such as Judith Butler, Martha Nussbaum, Grete Weil, and Maria Zambrano.

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