Metáforas da Morte Entre Pós-Punks: Passos Para uma Teoria da Ação Desde Bateson

Abstract

In this text I present how the relationship between reflexivity about youths, inequality and exclusion is established and the systematicity of the ethnographed sound imaginary. The article aims to demonstrate how the link between music-making and reflexivity in Woodgothic II Festival is established. The working hypothesis is that this relationship is a relationship of homology which shows the mode of reflexivity which I will call provisionally as blues punk reflexivity . The theoretical framework starting from Gregory Bateson, for his approach on noise and communication codes in homology to patterns of action, and Margaret Archer, for her formulation on reflexivity and internal conversations. The proposed conclusion is that the bond between art and experience indicates the presence of the blues punk reflexivity located systematically on the point position to see through the layers of everyday life of the agent. Hence, the said method acts as practical operator of the categories of consideration that, by the vehicle of internal conversations, deliberate the act positioning, thus, products of reflexivity inscribed in the everyday plots.