Metaphor and poetology of text

Abstract

The article offers comprehension – analysis and interpretation of a poetic text using metaphors. The reason for this approach – typological similarity as an artistic whole. The structure of the metaphors that generate and perpetuate the event relative similarities reflectively objects being projected onto the text confirms its relative nature as linguistic event of being. The relativity of the text determines the number of tasks of the analysis and interpretation of text, combined with awareness of the need to not only his “centripetal” studies, from speech to meaning, but “centrifugal” – from text to context – in the sphere of realized (comparative poetics) or valid possibilities existentially-verbal crossings (poetics of virtual). The most important task of the literary critic is the reading of the text as the author’s mode of implementation of the existential-linguistic unity. Its solution is associated with the mandatory understanding of this unity in the context of the already implemented practice of existential literary language crossings (held megatext), as well as in the context of absolute megatext, open and unfinished, which attribute all likely potential existential-linguistic crossings in the literature (neo-mythological text). Speculative idea of this text is initiated by postmodernism with its emphasis on total game with the preceding literary tradition. At the end of the article is formulated the conclusion about the necessity of giving a metaphor of the status of methodological and logical model understanding text art.