Abstract

A young nation with only half-century’s history, Singapore has in fact bred a Chinese spoken drama at the beginning of the twentieth century, a genre bearing the same title of spoken drama as in its source country of China, from the latter of which it was introduced and influenced. The research investigates into the original route of how such a new staging form has been distinctively brought out as a Chinese-speaking spoken drama of its own in the process of modernity upon its birth and formation at this multilingual and multicultural society in Southeast Asia.

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