Abstract

We empirically investigated the effect of mental imagery on young children’s music compositional creativity. Children aged 5 to 8 years participated in two music composition sessions. In the control session, participants based their composition on a motif that they had created using a sequence of letter names. In the mental imagery session, participants were given a picture of an animal and instructed to imagine the animal’s sounds and movements, before incorporating what they had imagined into their composition. Six expert judges independently rated all music compositions on creativity based on subjective criteria (consensual assessment). Reliability analyses indicated that the expert judges demonstrated a high level of agreement in their ratings. The mental imagery compositions received significantly higher creativity ratings by the expert judges than did the control compositions. These results provide evidence for the effectiveness of mental imagery in enhancing young children’s music compositional creativity.

Highlights

  • Creativity has long been recognised to be intimately linked to acts of creation and innovation across a wide range of domains such as scientific research and discovery, art and, of particular interest to the present research, music composition

  • We empirically investigated the effect of mental imagery on young children’s music compositional creativity

  • The mental imagery compositions received significantly higher creativity ratings by the expert judges than did the control compositions. These results provide evidence for the effectiveness of mental imagery in enhancing young children’s music compositional creativity

Read more

Summary

Introduction

Creativity has long been recognised to be intimately linked to acts of creation and innovation across a wide range of domains such as scientific research and discovery, art and, of particular interest to the present research, music composition. Eminent composers such as Mozart and Beethoven have been hailed as “geniuses”, a term first used in the 18th century to describe individuals who displayed remarkable imaginative powers and creative ability [1,2]. Applied in the context of music composition, a composer’s creativity can be said to be guided by individual differences in creative ability (the creative person), as well as environmental factors (the creative press) such as one’s physical surroundings, schooling experiences, and cultural background that may meaningfully interact

Methods
Results
Discussion
Conclusion

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.