Abstract
Previous articleNext article No AccessMemory, Photography, and Modernism: The “dead bodies and ruined houses” of Virginia Woolf's Three GuineasMaggie HummMaggie HummSchool of Cultural and Innovation StudiesUniversity of East London Search for more articles by this author School of Cultural and Innovation StudiesUniversity of East LondonPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 28, Number 2Winter 2003 Article DOIhttps://doi.org/10.1086/342583 Views: 203Total views on this site Citations: 3Citations are reported from Crossref © 2002 by The University of Chicago Press. All rights reserved.PDF download Crossref reports the following articles citing this article:Suzana Zink Rooms of Memory: “A Sketch of the Past”, (Feb 2018): 185–212.https://doi.org/10.1007/978-3-319-71909-2_8Jessica Berman Three Guineas and the Politics of Interruption, (Jan 2016): 203–216.https://doi.org/10.1002/9781118457917.ch15 JENNIFER BARKER Indifference, Identification, and Desire in Virginia Woolf’s Three Guineas, Leni Riefenstahl’s The Blue Light and Triumph of the Will, and Leontine Sagan’s Maedchen in Uniform, Women in German Yearbook 26, no.11 (Jan 2010): 73.https://doi.org/10.5250/womgeryearbook.26.1.0073
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