Abstract
The article highlights for the first time the material connected to the sound recordings of Ukrainians from WWI Prisoner-of War Camps in Germany, that were made during 1915-1918 years by the members of the Prussian Phonographic Commission which included Carl Stumpf (the head of the Commission), Georg Schünemann, Wilhelm Doegen among others. This article is a result of the author’s personal research conducted at the Berlin Phonogram Archive and explores the factographic documents that include the data about the sound recordings themselves, the history and process of the creation of the documents and their digital versions made a 100 years after the Prussian Phonographic Commission’s project has started. The research also presents the first results of the analysis of the repertoire recorded from Ukrainian prisoners-of WWI, specifically its culture and genre characteristics.
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