Abstract
This essay offers a comparative and multidirectional study of filmic representations and memory work dealing with flight and migration by means of short video films, experimental documentaries, African feature film and Hollywood cinema. Given that all selected films are deeply concerned with the question of how we collectively recollect individual movements, the mnemonic cartographies discussed here describe contemporary routes refugees and migrants may take within Africa, from the African continent to Europe as well as those passages Holocaust survivors took when escaping the horror of fascism in continental Europe during the Third Reich. A narrative feature that connects all films suggests that remembering carries a variety of ethical implications and moral demands since it often stands in close relation with individual suffering as well as attempts to explain and vindicate collective crimes and atrocities. Movement in film hence offers a framework in which the film-maker, the actors, and the audience share experiences of visiting, revisiting, exploring, and illuminating memories of migration.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: African and Black Diaspora: An International Journal
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.