Abstract
Discussions of cultural disappearance are often couched in terms of nostalgia and tragedy. Bruno Jasieński in Bal manekinów and Pier Paolo Pasolini in Ragazzi di vita offer an alternative form of remembering disappearance through memories of joy, understood as a distinctly political practice. Acutely aware of the untenability of what they were celebrating (pockets of liberty from cultural uniformity, in local cultures and aesthetic experimentation, respectively), both writers maintained a sense of political commitment, offering a good broader model for thinking about a world without a future.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
