Abstract
This article is dedicated to the phenomenon of memorial music. Memoriality is characterized as one of the facets of cultural memory. The methodological basis of the work was made up of works dedicated to the “memory of culture” (J. Assman, P. Nora, J. Lotman) and musical memoriality (T.S. Andruschak, M.N. Lobanova, E.V. Nazaikinsky, O.V. Sokolov, N.L. Sokolvyak, V.N. Kholopova). The results of the study were the identification of thematic complexes, characteristic features and coordinate system of memorial music. Particular attention is paid to the manifestation in memorial music of a certain chronotope, embodied through the principle of “creative dialogue” with the addressee of the memorial dedication. Analytical characteristics of the coordinate system of “music of memory” are given by the authors on the example of memorial music of Siberian composers, composers of the Krasnoyarsk region in particular.
Highlights
Preserving cultural memory is one of the most important tasks of art, including music
The most extensive group of initiations of memorial music is the dedications to the memory of creative figures
The generalizing factor of all types of initiations in memorial music is the principle of dialogue, which sets the temporal and spatial boundaries of the “embodied plot” and sets the vectors of the development of the musical statement
Summary
Preserving cultural memory is one of the most important tasks of art, including music. Music is a special way of knowing oneself and the surrounding world, "musical ontology provides a special musical vision of the world and the person in it" [1], and at the same time, a new creative reality, a musical picture of the world, standing independently. The concept of "cultural memory" was developed in the works of philosophers and literary scholars, first of all, J. The first significant embodiment of cultural memory is the memory of the dead. It is natural that one of the facets of cultural memory is connected with the phenomenon of memoriality, the desire to perpetuate by means of art the memory of someone or something, to capture the personal perception of the features of the bygone (man, era), to express an emotional response to the lost, distant, irrevocable
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