Abstract
AbstractMemnon, the mythic king of Ethiopia killed by Achilles during the Trojan War, had a double or fused identity in classical antiquity: both Asian and African for Greek and Roman writers because of his parentage and because of the geographical indeterminacy of ‘Aithiopia’ and of ‘India’, but definitely black-skinned for Roman writers. How was this figure received in medieval texts and images? This paper tracks Memnon through three textual genres from the twelfth to the fifteenth century – commentaries on Ovid, catalogues of famous men, histories of the Trojan War – and charts the ways in which his classical identity was overlaid and transformed by pro-Trojan sentiment, chivalric heroization and Christian sacrificial thinking.
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