Abstract
This article investigates the ways in which Akhmatova's early love poetry combines features of melodrama with others that suggest its rejection. It argues that a consideration of the poetry's relationship with melodrama furnishes insights into how the peculiar emotional intensity of some key lyrics is created, challenging the prevalent association of Akhmatova with tragedy, and offering a means of exploring some of the problems which arise in situating Akhmatova in relation to modernism. It demonstrates, through close readings of selected early lyric poems, that Akhmatova combines melodramatic expression with modernist impersonality to create a paradoxical, restrained melodrama.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.