Abstract
O ensaio desenvolve algumas variações históricas e teóricas sobre o tema do “Orientalismo musical” (discutido por Aldous Huxley, Edward Said e Derek Scott) tendo como base uma interpretação do poema sinfônico “Sheherazade”, composto em 1889 pelo russo Rimsky-Korsakov, inspirado pela leitura do livro das Mil e uma noites
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