Abstract
This article explores the legacies of Melmoth, the title character of Charles Maturin's Melmoth the Wanderer (1820), in the context of the Irish Gothic tradition. I argue that Melmoth's corporeal monstrosity is symbolically reified in subsequent texts, and that consequently Irish Gothic fiction is both possessing of and possessed by Melmoth. Exploring this in-between space where Melmoth is re-fashioned and re-imagined, I ask what this means for the Irish Gothic tradition and the processes of reflection and self-reflection these texts enact. I therefore trace Melmoth's influence by surveying the works both of Anglo-Irish writers and of Irish Gothic writers outside this particular tradition. In particular, my argument examines tropes of doubling and mirroring in such texts so as to highlight Melmoth's presence as a symbolic and semiotic revenant.
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