Abstract

In this essay it is my aim to explore the reinvention of the Jewish‐Austrian past in Eva Menasse’s novelVienna(2005). Like many other second‐ and third‐generation Jewish writers, she thematizes the silence of her family concerning the Shoah, the re‐emergence of memory work in the 1980s, and the problems of transgenerational dialogue. Instead of providing coherent stories and stable identities, the novel presents a blend of memories of a multi‐ethnic family. In so doing, the narrative not only sheds light on a silenced past but also reveals its transnational links and transcultural mixtures. By challenging the idea of cultural singularity, the novel problematizes the connection between Jewishness and hybridity. Furthermore, the shifting meanings of family and home and the emphasis on storytelling in Menasse’s novel outline a performative approach to the past as a contested area.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.