“Mediating Modernism”: Charles Briggs, Catholic Modernism, and an Ecumenical “Plot”

Abstract

Historians of religion in America, as enamored of marking “watersheds” in our culture as other scholars, have long used the famous “Briggs Case” as an event for marking that cultural moment when American mainline Protestants, mostly kicking and screaming, began to confront officially the higher criticism of the Bible. Charles Augustus Briggs, as students of Gilded Age religion know well, was a professor of scripture at New York's Union Theological Seminary who, between 1891 and 1893, underwent a peripatetic heresy trial in various Presbyterian church courts—“the most notorious event in 19th century American church history,” as one of its chroniclers has described it—for advocating the application of modern historical-critical methods to the biblical record.