Abstract

This work focuses on analyzing fan theories as interpretive processes shared by users of virtual reading communities. Within these spaces of participatory culture, a complex strategy of interactions among its members is encouraged to formulate conjectures about the text's intentions and negotiate its degree of relevance. We have based our research on a methodology linked to the ethnography of reading. From a representative sample of the narrative universes of A Song of Ice and Fire and Harry Potter, the different modes of agreed collaborative textual interpretation are explored. The data show that within these communities of practice, three reading models are developed: predictive theories in which future narrative contents are inferred; explanatory theories in which narrative arcs are endowed and charged with meaning through the analysis of canon and, finally, alternative theories with a highly creative component in which the interpretative limits of the text are explored. Within these virtual communities, hermeneutical proposals are characterized by the activation of complex, heavily referenced literary argumentation to maintain semiosis active and expand the horizon of expectations of its members.

Highlights

  • Numerous studies show how technological revolutions are changing the modes and habits of reading (Landow, 2009; Naseri and Noruzi, 2016; Cruces, 2017; Chartier, 2018; Amo, 2019)

  • They anticipate or infer future content, explain specific events, or propose alternative visions. These interpretations are accompanied by solid arguments and precise references to canonical elements that give them greater likelihood and credibility: textual fragments are cited, frames are shared, or information from other media is shared as links

  • Other theories are reconfigured and end up being adapted to the canon. Examples of these include those regarding the homosexuality of Dumbledore or the prophecy of the Three Brothers, which theorizes that these characters are Harry Potter, Voldemort, and Dumbledore

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Summary

INTRODUCTION

Numerous studies show how technological revolutions are changing the modes and habits of reading (Landow, 2009; Naseri and Noruzi, 2016; Cruces, 2017; Chartier, 2018; Amo, 2019). Mittell (2009) uses the concept of forensic fandom to describe the long-term commitment experienced by users who dissect the canon and immerse themselves in the deepest interpretative layers He states that being a follower of these narratives implies: to embrace a detective mentality, seeking out clues, charting patterns, and assembling evidence into narrative hypotheses and theories. Fan theories are interpretative practices published within the virtual community in order that they may be discussed, modified, or ratified by the rest of its members These are creative activities whose producers want to demonstrate to other users their reading competence (Aranda et al, 2013) or their degree of proximity to the model reader registered in the canon. The following operational objectives have been established:

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