Abstract
The ancient Cynics occupy a unique place in Hellenistic thought for the physicality of their self-representation. On the one hand, Diogenes is depicted accusing philosophers, in particular Plato, of idle talk, himself advocating double training (mental and bodily), and performing his philosophy through acts of “street theatre” in various public spaces. On the other hand, he derides athletes and the folly of those following them to athletic festivals. While the two directions of criticism differ in aim and scope, they must be viewed in tandem to establish the Cynic view of the body.
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