Abstract

The khaen, naw, bawu, sheng and sho are examples of Asian free-reed mouth organs, which incorporate approximately symmetric free reeds coupled to pipe resonators. Previous research has shown that the reeds in these instruments behave as "blown-open" reeds in which the playing frequency is above both the natural frequency of the reed and the first peak of the measured impedance curve. Detailed calculations of input impedance have been made for a variety of these instruments, taking into account the position of the reed along the pipe, tuning slots, finger holes, and non-uniform cross sections. The details of these calculations are in good agreement with the measured impedances of the same instruments. If the reed is treated as a damped, driven harmonic oscillator, the sounding frequencies of these reed-pipes can be predicted using a phase relation between the reed vibration and the phase of the complex impedance. [Research supported by National Science Foundation REU Grant PHY-0354058.]

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