Abstract

This article aims at reading Sam Shepard’s True West from deconstructive point of view. Derrida with coining the word “Differance”, consisting of the words to “defer” and to “differ”, disturbs the presence of meaning, contending that no stable meaning exists. Meaning is forever fallen into the trap of “differance”, causing the meaning to defer, that is, the signified is always deferred and we are just dealing with play of signifiers. Moreover, he believes that in each set of binary oppositions, the two sides of opposition not only add to each other but also take the place of each other and thus supplement each other. This is in fact what happens in True West. Characters’ identities have unstable nature. Each character changes their identity from one type of personality to another one, thus plunging themselves into finding floating identities. In addition, the characters supplement each other; they need each other to be completed, as two sides of opposition, without having priority over each other. Therefore, what fills the space of the play is the indeterminacy regarding Derrida’s ideas of supplement and “differance” propelling the characters into having unstable and changing identity.

Highlights

  • The present study is an attempt to investigate the traces of Derrida’s deconstructive view in Sam Shepard’s True West

  • The inception of postmodernism emerging out of modernism shakes the foundations of modernity; the modernity which is concerned with rationality, objective reality and truth

  • Sam Shepard (1943), the director, writer, and actor is a well-known American playwright who has written more than fifty plays and the numerous awards he has received illustrate the originality of his works

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Summary

Introduction

The present study is an attempt to investigate the traces of Derrida’s deconstructive view in Sam Shepard’s True West. After World Wars I and II, the attention turned against objectivity and truth that intellectuals supposed to have attained through reason and knowledge whereby they could constitute objective reality in social institutions. After these wars in which more than 100 million people were killed, a sense of uncertainty overwhelmed the world in different fields of science. With the advent of deconstruction, Derrida’s poststructuralist view of the world challenges the very institutions of modernity through which objective reality and truth have been taught. Objective reality of the modernity has been supplanted by the subjective reality of the postmodernism in which many “interpreters of reality” come to life (p.99)

Derrida’s Deconstructive View
Sam Shepard’s True West as an Indeterminate Text
Floating Meaning of True West
The Question of True Identity
Conclusion
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