Abstract
The essay examines the reasons for the difficult ‘reception’ of Mazzini's image in Italy. With particular reference to themes dear to Mazzini, like the role of public monuments and publications, the author explains why Mazzini's image has had a precarious hold on the collective memory of the Italian people. He goes on to offer a brief overview of the revival of Mazzinian scholarship in the last 15 years (1993–2008), underscoring how the renewed interest is related to the ongoing European and global debate on the meaning of democracy. The author concludes with a list of titles appearing since 1993 that suggest new approaches to the study of Mazzini, and that will be of use to scholars and students.
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