Abstract
Aravind Adiga, a Man Booker Prize winner, aims at depicting a realistic picture of Indian society along with its root cause of evil. He attempts to bring the dark side of India over the ‘shining India’. He criticised the moral decadence and lack of basic principles among Indians. In The White Tiger and Last Man in Tower he portrays the power game in metropolis like; Delhi and Mumbai. This paper studies the socio-political realities of Indian society through the lens of power politics. Adiga makes an effort to showcase the experiences which underprivileged Indian people go through their entire lives. This paper also describes how Adiga depicts socio-cultural encounters in India; especially in power-politics, the Caste system, and master-servant society. It demonstrates the colossal fight between the common man and the dominating political issues such as the caste system, democracy and justice. The research depicts the miscarriage of justice, corruption and other alarming issues of contemporary Indian society. Adiga spotlights modern India by comparing India of darkness and India of light. Adiga’s work of fiction unveils the dark web of politics behind the frame of globalisation and development.
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