Abstract

Set in the internment camp at Lannemezan where the author and his family spent two years, Matéo Maximoff's La Septième fille gives a voice to a minority group that has suffered from negative stereotypes since its arrival in France in the Middle Ages. In that work, Maximoff, the first authentic Roma novelist, blends folklore and oral tradition with historical fact, chronicling the conditions in the camp at Lannemezan even as he spins a supernatural tale worthy of the most gifted of conteurs. Informed by historical sources and ethnographic studies, this article suggests that La Septième fille may be read as a metaphor for the internment of the Roma by the Vichy regime and the policies aimed at ‘socialising’ and forcing them to become sedentary, policies that began during the Third Republic and that continued well into the twentieth century. La Septième fille is one of the rare literary works (along with Didier Daeninckx's La Route du Rom, 2003) to treat the little-known Vichy initiative of interning Roma—the majority of whom were French citizens—in 31 camps around France.

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