Abstract
On the basis of the exhibition Realize! Resist! React!: Performance and Politics in the 1990s in the Post-Yugoslav Context I suggest in this article that some of the political performance of the 1990s in the post-Yugoslav context can be thought beyond the Rancièrean understanding of the political, based on the intersection of the aesthetic, the ethical and the voice. By focusing on materiality, I propose a reading that is – conditionally speaking – object-oriented: on the one hand, it can be detected though the abandonment of the voice, the introduction of the body as a biological matter and something inseparable from its environment, and on the other hand, through the introduction of the materiality of ruins and other accessible everyday materials as autonomous entities.
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