Abstract

This paper examines the degree to which belonging to “Southern Ndebele”’ identity is expressed through material culture, such as beadwork, wall paintings, architecture and distinctive ways of dressing. Seeing material culture as a signifier and proclamation of Ndebele identity has attracted media attention and generated valuable insight about the expression of belonging to Ndebele identity in South Africa. However, drawing inferences about identity from material culture can obscure details and nuances about identity and belonging and the complex manner in which they relate to material culture. This article argues that the inherently complex and unstable nature of ethnic identities has to be considered when analysing and detecting shifts in material culture and its use as an identity marker in Ndebele communities. Drawing on the long history of association between Ndebele identity and material culture, this paper exposes the dynamics, complexities and nuances about identity and belonging to push beyond narrow interpretations of material culture as markers and expression of Ndebeleness. Based on ethnographic research conducted in the KwaMhlanga region, the paper explores the material production of Ndebeleness within the context of crafting a South African nation in order to illuminate the complexities of formulations of meaning and belonging.

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