Abstract
The author’s idea of this master’s photographic art project was to create a series of photographs that should draw attention to the current state of the sacred heritage of Boykivshchyna with the aim of their future preservation.
 The series of works consists of photographs that convey archaic architecture, a special style of icon painting, church objects, carvings and interior paintings that are typical of the Boyko ethnos.
Highlights
The author’s idea of this master’s photographic art project was to create a series of photographs that should draw attention to the current state of the sacred heritage of Boykivshchyna with the aim of their future preservation
The series of works consists of photographs that convey archaic architecture, a special style of icon painting, church objects, carvings and interior paintings that are typical of the Boyko ethnos
Gluing images to create a 3D panorama of the photograph No 1 called ‘Crossroads’ in Image Composite Editor:
Summary
The author’s idea of this master’s photographic art project was to create a series of photographs that should draw attention to the current state of the sacred heritage of Boykivshchyna with the aim of their future preservation. MASTER’S PHOTO ART PROJECT ‘ETHNIC LANGUAGE OF THE SACRED’ 1 Doctor of Study of Art, PhD in Cinematographic Art, Television, Professor; e-mail: oleksandr_bezruchko@ukr.net; ORCID: 0000-0001-8360-9388 2 Master’s Student at the Cinema and Television Arts Department; e-mail: bardun@ukr.net; ORCID: 0000-0002-6711-1317 a Kyiv National University of Culture and Arts, Kyiv, Ukraine b Kyiv University of Culture, Kyiv, Ukraine Master’s photographic art project ‘Ethnic language of the sacred’
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