Massachusetts quilts: our common wealth

Abstract

Massachusetts Quilts: Our Common Wealth. Edited by Lynne Zacek Bassett. Hanover: University Press of New England, 2009. 336 pages $60.00 (hardcover). LynneBassett, with ten other contributors, offers a fascinating study of Massachusetts quilts in the context of history, genealogy, local industry, and textile production in the handsomely presented Massachusetts Quilts: Our Common Wealth. Including only a small percentage of the nearly 6,000 Massachusetts quilts they (and the many members of the Massachusetts Quilt Documentation Project) have studied since 1994, a wide range of techniques, fabrics and designs are represented in a thorough and carefully documented historical context. The research findings are divided into three major thematic sections: History, Community, and Memory. Approached much like an exhibition catalogue, introductory essays provide an overview of each of the three divisions and are followed by illustrated examples discussed in detail. Geographical distinctions create the divisions under History and include some of the first extant quilted objects known in Massachusetts: pieced cloth-covered hand screens and petticoats, as well as whole cloth quilts and a quilted palampore dating 1825 to 1850. Quilting gatherings, agricultural fairs, and immigrant and ethnic communities are a few of the themes that organize the section under Community; and Friendship and Signature Quilts provide two of the themes designated Memory. Bassett and her major contributors (each a textile curator, quilt historian, or independent historian) emphasize the historical context for each quilted object (documenting genealogy, researching family stories, referencing dying and textile history, citing relevant economic and industrial circumstances) with their visual description of the textiles, the patchwork or applique pattern and the quilting design of the works. The attentive descriptions of the quilts encourage careful looking on the part of the reader and the contextual history keep these works firmly planted in the history of Massachusetts. The volume's coffee table book format provides room for photographs of the entire quilted object that beautifully illustrate the textural surface of many of the works. Portrait photographs, contemporary images of relevant historic sites, details of some quilts, and line drawings articulating the quilted designs also provide welcome information. However, any non-scholarly connotations associated with the term 'coffee table book' do not apply to Massachusetts Quilts. Family oral histories are challenged and documented as factual or dispelled, references to current quilt history research appears throughout, provenance is carefully documented, collateral objects (e.g. merchants' sample swatch books and family memorabilia) shed greater light on the context of the quilt's creation, and diary entries documenting contemporary quilting activities reveal how quilts and quilting fit into the daily life of eighteenth and nineteenth century women. …